1. Aadi-Deva of Avanaddha
Vadyas
(A) Brahma
(B) Vishnu
(C) Mahesh
(D) Ganesh
2. The percussion instrument
used with ‘Lawani’ of Maharashtra is
(A) Changa
(B) Upanga
(C) Dholak
(D) Naal
3. The fraction depicting
Layakari of Ku-aad
(A) 3/4
(B) 5/4
(C) 7/4
(D) 9/4
4. Assertion (A): The mukh
(basic) of Quaida is played in dugun/chougun and after improvisations it ends
with a Tihai.
Reason (R): Because Quaida
is a non-expandable composition.
Codes:
(A) (A) correct, (R) wrong.
(B) (A) correct, (R)
correct.
(C) (A) wrong, (R) correct.
(D) (A) wrong, (R) wrong.
5. Who got the highest fame for playing
‘NA DHIN DHIN NA’?
(A) Samta Prasad
(B) Alla Rakha
(C) Karmatulla
(D) Anaukhelal
6. Alla Rakkha Khan belongs
to Gharana of
(A) Delhi
(B) Lucknow
(C) Farukhabad
(D) Punjab
Answer: (D)
7. On which part ‘M’ Varna is played of ‘Dhumakit’?
(A) Chaanti
(B) Syahi
(C) Lava
(D) Gajara
8. Tabla player who was
famous for composing jodas of Gat
(A) Haji Vilayat Ali
(B) Salari Miyan
(C) Sidhar Khan
(D) Gudai Maharaj
9. A phrase of tabla
syllables played three times is called
(A) Tihai
(B) Chakradar
(C) Gat
(D) Theka
10. Artist who had command
equally over Tabla and Pakhawaj both
(A) Laljee Gokhale
(B) Ismail Daddukhan
(C) Prem Vallabha
(D) Rosevel Layal
11. First well-known lady
tabla player
(A) Dr. Yogmaya Shukla
(B) Dr. Aban E.Mistri
(C) Rimpa Shiva
(D) Anuradha Pal
12. Match the following:
List – I List – II
i Guitar 1. Budhaditya Mukherjee
ii Sitar 2. V.G. Jog
iii Violin 3. Brij Bhushan Kabra
iv Shehnai 4. Jagannath Pacheriwal
Codes:
i ii iii iv
(A) 2 4 3 1
(B) 3 2 4 1
(C) 3 1 4 2
(D) 3
1 2 4
13. ‘Dhumali’ Taal
is befitting for the style of singing
(A) Dhamar
(B) Khayal
(C) Tappa
(D) Bhajan/Quawali
14. Composition played in
uninterrupted flow set in fast tempo
(A) Peshkar
(B) Rela
(C) Bant of Theka
(D) Tihai
15. Tilwada Theka
accompanies the singing style of
(A) Thumri
(B) Ghazal
(C) Bada Khyal
(D) Chhota Khyal
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