1. Anubandham was the
concluding section of
(A) Kriti
(B) Varnam
(C) Padam
(D) Tillana
2. Lakshana Gitas composer
(A) MahaVaidya Natha Iyyer
(B) Paidala Gurumurty
Shastri
(C) Purandara Dasa
(D) Dikshitar
3. Bhuta Sankhya is used to
denote names of
(A) Uttaranga Svaras
(B) Poorvanga Svaras
(C) Melas
(D) Chakras
4. Match the following:
List – I List – II
i. Shatkala Govinda
Marar 1. Vaggekkara
ii. Tyagaraja 2. Tevaram
iii. Subbaraya Shastri 3. Edaikkya
iv. Tirunjana
Sambandhar 4. Telugu
Codes:
i ii iii iv
(A) 3 4 1 2
(B) 2 1 4 3
(C) 3 2 1 4
(D) 3 1 4 2
5. Assertion (A): Alapana
precedinga kruti should have a balanced proportion to the length of thekruti.
Reasoning (R): Alapanas
should not precede a Padam.
Codes:
(A) Both (A) and (R) are
true.
(B) (A) is true, (R) is
false.
(C) (R) is true, (A) is
false
(D) Both (R) and (A) are
false.
6. Tayampaka is ensemble of
(A) Chenda
(B) Mrudangam
(C) Tavil
(D) Maddalam
7. Assertion (A): In wind
instruments greater the vibrating length of air column, less is the pitch.
Reasoning (R): Pitch is
inversely proportionate to the length of vocal chords.
Codes:
(A) (A) is true, (R) is
false.
(B) (R) is false, (A) is
false.
(C) (R) is true, (A) is
false.
(D) Both (A) and (R) are
true.
8. Author of Sangita Sara
(A) Damodar
(B) Vidyaranya
(C) Somanatha
(D) Haripala
9. Kriyanga Ragas are
presently known as
(A) Varja Ragas
(B) Shadava Ragas
(C) Audava Ragas
(D) Vakra Ragas
10. Kriti ‘KaruBaru’ of
Tyagaraja is in Raga
(A) Mukhari
(B) Nadanamakriya
(C) Bhairavi
(D) None of the above
11. Sangita Kalpadrumam has
been authored by
(A) Haripala
(B) Subbarama Dikshitar
(C) Muttaih Bhagavatar
(D) Somanatha
12. Singer of Tevaram
(A) Oduvar
(B) Nayanar
(C) Marar
(D) Ponnani
13. Kovur Pancharatna is in
praise of
(A) Kamakshi
(B) Venkatesha
(C) Madurai Meenakshi
(D) Sundaresvara Swamy
14. Magudi is also known as
(A) Nagasvaram
(B) Nagapani
(C) Kombu
(D) Bhujanga Svaram
15. Rudra in 72 melakarta
scheme is the
(A) 9th Chakra
(B) 11th Chakra
(C) 12th Chakra
(D) 8th Chakra
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