1. Quaida
composed with the boles – ‘Dha dha dha ghin dha ghin dhatak ghetak dingdinagen’
belongs to the _______ gharana.
(A) Punajab
(B) Delhi
(C) Lucknow
(D) Ajarada
2. Matras of
Ashtmangal taal
(A) 20
(B) 21
(C) 22
(D) 24
3. Author of
“Pakhawaj Aur Tabla Ke Gharane Aur Paramparaen” is
(A) Yogmaya
Shukla
(B) Aban E.
Mistri
(C) Shobharani
Kudeshiya
(D) Anuradha Paal
4.
Tabla instrument is derived from
(A) Dholak
(B)
Khanjari
(C)
Pushkar
(D)
Nakkara
5.
Total Matras of Lakshmi taal
(A) 20
(B) 18
(C) 16
(D) 14
6. Assertion (A):
Avanaddha Vadyas are playing an important role in music.
Reason (R):
Richness is increased through the accompaniment of Avanaddha Vadyas in music concerts.
Codes:
(A) (A) wrong,
(R) wrong.
(B) (A) correct,
(R) wrong.
(C) (A) wrong,
(R) correct.
(D) (A) correct,
(R) correct.
7. ‘Ra’ of
‘Ghintaran’ is produced by finger of
(A) Tarjani
(B) Madhyama
(C) Anamika
(D) Kanishtha
8. ‘Taal Kaal
Kriya Manam’ is mentioned in
(A) Amar Kosh
(B)
Sangeetaranava
(C) Sangeet
Darpan
(D) Sangeet
Ratnakar
9. Baj of Chanti
(A) Delhi
(B) Punjab
(C) Farukhabad
(D) Lucknow
10. How many
‘Ghar’ are there in Dayan Tabla
(A) 8
(B) 10
(C) 12
(D) 16
11. ‘Uthan’ is
mostly used with
(A) Vocal Music
(B) Tantra Vadya
(C) Nritya
(D) Folk Music
12. Which Chapter
is dedicated to Taal- Anga in Natya Shashtra?
(A) 28th
(B) 29th
(C) 30th
(D) 31st
13. The
instrument played by Parbat Singh
(A) Tabla
(B) Pakhawaj
(C) Changa
(D) Upanga
14. Match the
following:
List – I
List – II
a. Alla Rakha
i. Purushottam Das
b. Gudai Maharaj
ii. Zakir Hussain
c. Karamatulla
iii. Kumar Lal
d. Ghan Shyam
Pakhawaji iv. Sabir Khan
Codes:
a b c d
(A) i ii iv iii
(B) iii iv ii i
(C) iv iii i ii
(D) ii iii iv i
15. Match the following:
List – I
List – II
a. Dhrupad
i. Punjaabi Taal
b. Khayal
ii. Deepchandi
c. Thumari
iii. Teen Taal
d. Tappa
iv. Chaar Taal
Codes:
a b c d
(A) iv iii ii i
(B) i ii iii iv
(C) ii i iv iii
(D) iii iv i ii
1 Comments
😊😊😊😊 bahut abhar
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