1. The name ‘Gurudruta virama’ comes in
(A) Shadangas
(B) Shodasangas
(C) Navasandhi talas
(D) 108 talas
2. The instrument ‘Grahabheda pradarsini’
is devised by
(A) Bharata
(B) Venkitamakhi
(C) Prof. Sambamoorthy
(D) Maharajah Sarafojee
3. A Sarvaswaramurchanakaraka raga
(A) Hansadhwani
(B) Suddhadhanyasi
(C) Mohana
(D) Suddha Saveri
4. Gamaka ‘Thribhinna’ is peculiar to
(A) Violin
(B) Veena
(C) Vocal music
(D) Flute
5. The author of the work ‘Meladhikara
Lakshana’ is
(A) Venkita Makhi
(B) Ahobala
(C) Unknown
(D) Ramamatya
6. Pan ‘Kausikam’ corresponds to
(A) Kamboji
(B) Kalyani
(C) Kedaragoula
(D) Bhairavi
7. A tri-anya svara bhashanga raga
(A) Bilahari
(B) Atana
(C) Hindustan Behag
(D) Hindustan
Kafi
8. An example of valera shadava vakra sampurna raga
(A) Narayanagoula
(B) Bindumalini
(C) Bangala
(D) Dipika
9. Panniyatiram in ancient Tamil music is
a
(A) Shadava raga
(B) Audava raga
(C) Swarantara raga
(D) Sampoorna raga
10. ‘Radhamangala bhasha’ was a
mnemonical language which was fluently spoken by
(A) Pattanam Subramania Iyer
(B) Mahavaidyanatha Iyer
(C) Ramaswami Deekshitar
(D) Subbarama Iyer
11. ‘Harikesa’ is the mudra of
(A) Sreenivasa Iyenkar
(B) Ramaswami Sivan
(C) Muttaih Bhagavatar
(D) Gopalakrishna Bharati
12. The frequency value of a Purna
dvisruti interval is
(A) 135/128
(B) 81/80
(C) 256/243
(D) 16/15
13. ‘Azhagarkuravanchi’ is a brilliant
composition written by
(A) King Sarfojee
(B) Papanasa Mudaliar
(C) Tirukuta Rajappak Kaviraya
(D) Kavi Kunjara Bharati
14. Arunagirinatha Iyer is the composer
of
(A) Tevaram
(B) Thiruvachakam
(C) Tiruppugazh
(D) Ramanatakam
15. The ‘ga’ murchana of the avarohana of
the raga Garudadwani is
(A) Saramati
(B) Bilahari
(C) Mohanakalyani
(D) Nilambari
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