1. Name the author of “Universal History
of Music”
(A) Rabindranath Tagore
(B) Raja Sorindramohan Tagore
(C) Sir William Jones
(D) Narayan Menon
2. The bandishes which contain the title
name of “Mohamedsa Rangeele” are written by
(A) Adarang
(B) Manrang
(C) Sadarang
(D) Subrang
3. In Bharat era the orchestra was known
as
(A) Karan
(B) Kutap
(C) Pushkar
(D) Kukubha
4. Assertion (A): Tihai is very important
in the field of Tabla playing.
Reason (R): Because most of the
compositions end with Tihaies.
(A) (A) is correct (R) is wrong.
(B) (A) is wrong (R) is correct.
(C) (A) is correct (R) is correct.
(D) (A) is wrong (R) is wrong.
5. Group Kriti ‘Navaretna Malika’ is
composed by
(A) Thyagaraja
(B) Muthuswami Dikshitar
(C) Syamasastri
(D) Vinakuppier
6. Name of the 61st Mela in the scheme of
72 Melakart as
(A) Nitimati
(B) Chitrambari
(C) Kantamani
(D) Dhavalambari
7. Which treatise is known as the fifth
Veda?
(A) Brihaddesi
(B) Sangita Retnakara
(C) Chaturdendiprakasika
(D) Natyasastra
8. The Sruti name ‘Kumudvati’ is in the
Sruti nomenclature of
(A) Narada
(B) Sarangadeva
(C) Bhavabhatta
(D) Somnath
9. Author of ‘Radha Govind Sangeet Saar ’
(A) Sawai Madhav Rao
(B) Sawai Pratap Singh
(C) Raja Tuljaji
(D) Raja Mansingh
10. Who is not a singer from the
following?
(A) Ustad Ameer Khan
(B) Ustad Alladia Khan
(C) Haddu Khan
(D) Ustad Habibuddin Khan
11. Match the following:
(a) Sawagun
(i) 11/4
(b) Paungun
(ii) 5/4
(c) Sawadogun
(iii) 9/4
(d) Paune teen gun
(iv) 3/4
Codes:
(a) (b) (c) (d)
(A) (ii) (iv) (iii) (i)
(B) (ii) (iv) (i) (iii)
(C) (iii) (ii) (iv) (i)
(D) (ii) (i) (iii) (iv)
12. Name the Gharana which Pt. Bhimsen
Joshi represented
(A) Patiyala
(B) Agra
(C) Jaipur
(D) Kirana
13. Who has categorized the
classification of Raga as ‘Mitra, Soochak and Dooti’ under RaagVargikaran?
(A) SangeetMakrand by Narad
(B) RaagSagar by Narad
(C) RaagNirupanam by Narad
(D) NaradiyaShiksha by Narad
14. The Shwetambar Jain Music author of
Indian music, who had received the honour of ‘Vachanacharya’?
(A) Someshwar
(B) Sharangdeva
(C) Sudhakalash
(D) Parshwadeva
15. Who has explained the section of
Ragas as ‘Deshya, Shuddha Salag and Chhaila’?
(A) Sangeet Darpan
(B) Sangeet Makrand
(C) Sangeet Sudha
(D) Sangeet opanishatsaroddhar
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