1.
Assertion (A): Artists are not merely to copy the outer appearance of life in
all its facets and profoundness to show what is behind the phenomena of life.
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Reason
(R): In the name of Realism and Naturalism materialistic world outlook has been
reigning in the sphere of Art as well as in science and everyday life.
Codes:
(A)
(A) is true and (R) is true
(B)
(A) is false and (R) is true
(C)
(A) is true and (R) is false
(D)
(A) is false and (R) is false
2.
Match the following:
List – I
|
List – II
|
(a) Symbolism
|
(i) Bertold Brecht
|
(b) Realism
|
(ii) Meyerhold
|
(c) Bio-Mechanism
|
(iii) Gorden Craig
|
(d) Epic Theatre
|
(iv) Stanislavsky
|
Codes:
(a) (b) (c) (d)
(A)
(iv) (iii) (i) (ii)
(B)
(iii) (iv) (ii) (i)
(C)
(ii) (i) (iii) (iv)
(D)
(i) (ii) (iv) (iii)
3.
Select the correct sequence:www.netugc.com
(A)
Roman Theatre, Greek Theatre, Renaissance,
Middle Ages Theatre
(B)
Greek Theatre, Roman
Theatre, middle ages
Theatre Renaissance
(C)
Renaissance, Middle Ages Theatre, Roman
Theatre, and Greek
Theatre
(D)
Greek Theatre, Middle Ages Theatre, Roman
Theatre, and Renaissance
4.
Pick the odd one out
(A)
Orchestra pit – Proscenium
(B)
Set line – Settings
(C)
Cyclorama – Lighting Floods
(D)
Off-stage – Borders
5. In Shakespeare’s play actors used to
talk to the audience by alienating themselves from the co-actors. This gesture
is called
(A) Soliloquy
(B) Monologue
(C) Aside
(D) Dialogue
6. Which one is not an objective of Art?
(A) Interpretation
(B) Selectivity
(C) Form
(D) Metaphor
7. The folk performance in India
mainly depends on which kind of performance space?
(A) Formal space
(B) Invisible space
(C) Improvised space
(D) Dramatic space
8.
Pick the odd one out
(A)
Sophecles – Trackers
(B)
Euripidus – Cyclopes
(C)
Aeschylus – Media
(D)
Aristophanes – Agmemon
9.
Match the item in List – I with the items in List – II:
List – I
|
List – II
|
a. E. Alkazi
|
i. Chakravyuh
|
b. B.V. Karanth
|
ii. Karna Bharam
|
c. Ratan Tiyam
|
iii. Hayvadhana
|
d. K.N. Panikar
|
iv. Andha Yug
|
Codes:
a b c d
(A)
iv iii i ii
(B)
iii ii iv i
(C)
i iv ii iii
(D)
ii i iii iv
10.
Assertion (A): Modern Kannada theatre resisted the bonds of traditional forms
and gave itself to the new forms from the West.
Reason
(R): The mainstream of pre modern Kannada literature is dominated by epic.
Codes:
(A)
(A) is true, (R) is false.
(B)
(A) is true, (R) is true.
(C)
(A) is false, (R) is true.
(D)
(A) is false, (R) is false
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