1. Assertion (A): Artists are not merely to copy the outer appearance of life in all its facets and profoundness to show what is behind the phenomena of life.
Reason (R): In the name of Realism and Naturalism materialistic world outlook has been reigning in the sphere of Art as well as in science and everyday life.

Codes:

(A) (A) is true and (R) is true
(B) (A) is false and (R) is true
(C) (A) is true and (R) is false
(D) (A) is false and (R) is false


2. Match the following:

List – I
List – II
(a) Symbolism
(i) Bertold Brecht
(b) Realism
(ii) Meyerhold
(c) Bio-Mechanism
(iii) Gorden Craig
(d) Epic Theatre
(iv) Stanislavsky
         
Codes:

        (a) (b) (c) (d)
(A) (iv) (iii) (i) (ii)
(B) (iii) (iv) (ii) (i)
(C) (ii) (i) (iii) (iv)
(D) (i) (ii) (iv) (iii)



3. Select the correct sequence:www.netugc.com

(A) Roman Theatre, Greek Theatre, Renaissance, Middle Ages Theatre
(B) Greek Theatre, Roman Theatre, middle ages Theatre Renaissance
(C) Renaissance, Middle Ages Theatre, Roman Theatre, and Greek Theatre
(D) Greek Theatre, Middle Ages Theatre, Roman Theatre, and Renaissance



4. Pick the odd one out

(A) Orchestra pit – Proscenium
(B) Set line – Settings
(C) Cyclorama – Lighting Floods
(D) Off-stage – Borders



5. In Shakespeare’s play actors used to talk to the audience by alienating themselves from the co-actors. This gesture is called

(A) Soliloquy
(B) Monologue
(C) Aside
(D) Dialogue



6. Which one is not an objective of Art?

(A) Interpretation
(B) Selectivity
(C) Form
(D) Metaphor



7. The folk performance in India mainly depends on which kind of performance space?

(A) Formal space
(B) Invisible space
(C) Improvised space
(D) Dramatic space



8. Pick the odd one out

(A) Sophecles – Trackers
(B) Euripidus – Cyclopes
(C) Aeschylus – Media
(D) Aristophanes – Agmemon



9. Match the item in List – I with the items in List – II:

List – I
List – II
a. E. Alkazi
i. Chakravyuh
b. B.V. Karanth
ii. Karna Bharam
c. Ratan Tiyam
iii. Hayvadhana
d. K.N. Panikar
iv. Andha Yug

Codes:

       a b c d
(A) iv iii i ii
(B) iii ii iv i
(C) i iv ii iii
(D) ii i iii iv



10. Assertion (A): Modern Kannada theatre resisted the bonds of traditional forms and gave itself to the new forms from the West.
Reason (R): The mainstream of pre modern Kannada literature is dominated by epic.

Codes:

(A) (A) is true, (R) is false.
(B) (A) is true, (R) is true.
(C) (A) is false, (R) is true.
(D) (A) is false, (R) is false


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