1. When all the four faces of Bharat Kalin Mridanga are tuned in the appropriate Swaras, it is called
(A) Moorchhana
(B) Marjana
(C) Swar Yojana
(D) Prarthana



2. Match the following:
List – I                        List – II
a. Mridangam       1. Vikku Vinayak Ram
b. Ghatam            2. Raja Chhatrapati Singh
c. Pakhawaj         3. Umayalpuram Shivraman
d. Dholak             4. U. Bafati Khan

Codes:
       a b c d
(A)  3 1 2 4
(B)  3 2 4 1
(C)  1 2 3 4
(D)  2 1 4 3



3. Total Matras of Tistra Jaati Dhruva Taal?
(A) 9
(B) 11
(C) 14
(D) 16



4. Fraction depicting Sawailaya
(A) 4/5
(B) 5/7
(C) 1(1/2)
(D) 5/4



5. Patah is also called
(A) Pata
(B) Damaru
(C) Dholak
(D) Ghatam



6. It is also called ‘Saptadhyayee’
(A) Brihaddeshi
(B) Natya Shashtra
(C) Abhinava Bharati
(D) Sangeet Ratnakar



7. Khandit Pravahyukta composition of Bolas with Tihai is called
(A) Quada
(B) Tukada
(C) Gat
(D) Chakra Dar



8. The Khoda of Mridangam is made by
(A) Shisham – Wood
(B) Bel – Wood
(C) Sandle – Wood
(D) Jack Fruit – Wood



9. Assertion (A): Tabla – Accompaniment is more difficult than Tabla-Solo
Reason (R): The main aim of Tabla-Accompaniment is to play according to the main artist.

 Codes:
(A) Both (A) and (R) are correct.
(B) Both (A) and (R) are wrong.
(C) (A) is correct, (R) is wrong.
(D) (A) is wrong, (R) is correct.



10. To play the basic form of a Taal on Tabla is called
(A) Tek
(B) Theka
(C) Palta
(D) Rela



11. Tavil belongs to
(A) Ghanvadya
(B) Layavadya
(C) Avanaddhavadya
(D) Sushirvadya



12. Total number of Matras of Brahma Taal
(A) 16
(B) 28
(C) 30
(D) 48



13. Writre of Brihaddeshi
(A) Matanga
(B) Upanga
(C) Dattila
(D) Vishakhil



14. The ancient name of Hudukka
(A) Patah
(B) Panava
(C) Pattavadya
(D) Trivali



15. The composition in which unlimited development is possible
(A) Qaida
(B) Peshakar
(C) Laggi
(D) Rela